SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.
Michelle Matz’s poems have appeared, or are forthcoming, in numerous publications, including Mud Season Review, Atlanta Review, The Lascaux Review, Dodging the Rain, and Atticus Review. Her chapbook was a semifinalist in the Ledge Poetry Contest and was published in 2006. Her book, Acoustic Shadow, was recently published by Main Street Rag. Michelle lives in San Francisco where she is a high school dean.
It isn’t necessarily true that it will all work out in the end. One door closes but another opens? Maybe. Maybe not. It depends on architecture. Material matters. And construction. A draft can make a house feel several degrees colder, drive up your heating bill. Caulking helps. It’s about adhesion and sash locks. The man at Home Depot said properly done, 5 to 10 years. I don’t know if that’s a lot or a little. Sometimes I feel so much sorrow my heart needs propping up. I don’t know if it’s a design flaw or if I lean too hard against walls never meant to sustain such weight. Even the best plywood, the man tells me, can start to buckle.
Michelle Matz’s chapbook, Atilt, was published by Finishing Line Press. She won the Mary Merritt Henry Prize for a group of poems, was a semifinalist in The Ledge Press Manuscript Contest, and was awarded an Individual Artist Grant through the San Francisco Arts Commission. Her poems have been published in numerous journals, including The Berkeley Poetry Review, Rainbow Curve, So To Speak, Natural Bridge, Cider Press Review, and Lifelines. She lives in San Francisco.